{"id":2402,"date":"2020-01-05T20:44:07","date_gmt":"2020-01-05T19:44:07","guid":{"rendered":"https:\/\/beat4people.com\/?p=2402"},"modified":"2020-01-05T20:51:49","modified_gmt":"2020-01-05T19:51:49","slug":"el-faro-de-la-perdicion","status":"publish","type":"post","link":"https:\/\/beat4people.com\/index.php\/2020\/01\/05\/el-faro-de-la-perdicion\/","title":{"rendered":"Faro de perdici\u00f3n"},"content":{"rendered":"<p>Robert Eggers nos sorprendi\u00f3 en su \u00f3pera prima (<em>The Witch <a href=\"https:\/\/beat4people.com\/index.php\/2016\/05\/18\/el-regreso-de-las-meigas\/\">https:\/\/beat4people.com\/index.php\/2016\/05\/18\/el-regreso-de-las-meigas\/<\/a><\/em>) con un ejercicio muy poco convencional dentro del g\u00e9nero del terror, y los aficionados al cine de autor aguard\u00e1bamos con mucha expectaci\u00f3n el segundo largometraje del director estadounidense, sabedores de que el resultado no nos dejar\u00eda indiferentes.<\/p>\n<p><em>El Faro\u00a0<\/em>se aleja de nuevo de los c\u00f3digos m\u00e1s manidos y repetidos hasta la saciedad dentro del g\u00e9nero, si es que es acertado clasificar al film con esa (o con alguna) etiqueta. Nos encontramos ante un viaje brutal hacia las profundidades m\u00e1s insondables de la psique humana, una pausada exploraci\u00f3n de los devastadores efectos que el aislacionismo es capaz de provocar en un individuo. Con <em>Repulsi\u00f3n<\/em> (Roman Polanski, 1965) como inspiraci\u00f3n tem\u00e1tica y el cine expresionista alem\u00e1n como clara influencia est\u00e9tica, Eggers escribe y construye una obra de arte para el lucimiento de Robert Pattinson y Willem Dafoe, excelentes ambos en un prodigioso cara a cara interpretativo.<\/p>\n<figure id=\"attachment_2404\" aria-describedby=\"caption-attachment-2404\" style=\"width: 477px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?ssl=1\"><img data-attachment-id=\"2404\" data-permalink=\"https:\/\/beat4people.com\/index.php\/2020\/01\/05\/el-faro-de-la-perdicion\/faro\/\" data-orig-file=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?fit=477%2C268&amp;ssl=1\" data-orig-size=\"477,268\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Faro\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Todos los derechos reservados a New Regency Pictures.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?fit=477%2C268&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-2404 size-full\" src=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?resize=477%2C268&#038;ssl=1\" alt=\"\" width=\"477\" height=\"268\" srcset=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?w=477&amp;ssl=1 477w, https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/Faro.jpg?resize=300%2C169&amp;ssl=1 300w\" sizes=\"(max-width: 477px) 100vw, 477px\" data-recalc-dims=\"1\" \/><\/a><figcaption id=\"caption-attachment-2404\" class=\"wp-caption-text\">Todos los derechos reservados a New Regency Pictures.<\/figcaption><\/figure>\n<p>El inolvidable mon\u00f3logo de Dafoe, homenaje directo a <em>Moby Dick\u00a0<\/em>de Herman Melville, es uno de los muchos momentos poderosos que contiene una joya cr\u00edptica y abierta a la interpretaci\u00f3n de un espectador que deber\u00e1 transitar por la confusa pasarela que le invita a atravesar, en la que el mundo real y el on\u00edrico se mezclan hasta resultar pr\u00e1cticamente indistinguibles.<\/p>\n<p>Cine de alto nivel para dar el pistoletazo de salida al a\u00f1o 2020.<\/p>\n<p>@Juanlu_num7<\/p>\n<p>&nbsp;<\/p>\n\n\n<div class=\"kk-star-ratings kksr-auto kksr-align-left kksr-valign-bottom\"\n    data-payload='{&quot;align&quot;:&quot;left&quot;,&quot;id&quot;:&quot;2402&quot;,&quot;slug&quot;:&quot;default&quot;,&quot;valign&quot;:&quot;bottom&quot;,&quot;ignore&quot;:&quot;&quot;,&quot;reference&quot;:&quot;auto&quot;,&quot;class&quot;:&quot;&quot;,&quot;count&quot;:&quot;1&quot;,&quot;legendonly&quot;:&quot;&quot;,&quot;readonly&quot;:&quot;&quot;,&quot;score&quot;:&quot;5&quot;,&quot;starsonly&quot;:&quot;&quot;,&quot;best&quot;:&quot;5&quot;,&quot;gap&quot;:&quot;5&quot;,&quot;greet&quot;:&quot;Rate this post&quot;,&quot;legend&quot;:&quot;5\\\/5 - (1 voto)&quot;,&quot;size&quot;:&quot;24&quot;,&quot;title&quot;:&quot;Faro de perdici\\u00f3n&quot;,&quot;width&quot;:&quot;142.5&quot;,&quot;_legend&quot;:&quot;{score}\\\/{best} - ({count} {votes})&quot;,&quot;font_factor&quot;:&quot;1.25&quot;}'>\n            \n<div class=\"kksr-stars\">\n    \n<div class=\"kksr-stars-inactive\">\n            <div class=\"kksr-star\" data-star=\"1\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"2\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"3\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"4\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"5\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n    <\/div>\n    \n<div class=\"kksr-stars-active\" style=\"width: 142.5px;\">\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n    <\/div>\n<\/div>\n                \n\n<div class=\"kksr-legend\" style=\"font-size: 19.2px;\">\n            5\/5 - (1 voto)    <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Robert Eggers nos sorprendi\u00f3 en su \u00f3pera prima (The Witch https:\/\/beat4people.com\/index.php\/2016\/05\/18\/el-regreso-de-las-meigas\/) con un ejercicio muy poco convencional dentro del g\u00e9nero del terror, y los aficionados al cine de autor aguard\u00e1bamos con mucha expectaci\u00f3n el segundo largometraje del director estadounidense, sabedores de que el resultado no nos dejar\u00eda indiferentes. El Faro\u00a0se aleja de nuevo de los <\/p>\n","protected":false},"author":3,"featured_media":2403,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2],"tags":[104],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/01\/ElfaroPNG.png?fit=838%2C507&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts\/2402"}],"collection":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/comments?post=2402"}],"version-history":[{"count":2,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts\/2402\/revisions"}],"predecessor-version":[{"id":2406,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts\/2402\/revisions\/2406"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/media\/2403"}],"wp:attachment":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/media?parent=2402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/categories?post=2402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/tags?post=2402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}