{"id":2446,"date":"2020-02-11T12:41:39","date_gmt":"2020-02-11T11:41:39","guid":{"rendered":"https:\/\/beat4people.com\/?p=2446"},"modified":"2020-02-11T12:49:47","modified_gmt":"2020-02-11T11:49:47","slug":"gelido-virtuosismo","status":"publish","type":"post","link":"https:\/\/beat4people.com\/index.php\/2020\/02\/11\/gelido-virtuosismo\/","title":{"rendered":"G\u00e9lido virtuosismo"},"content":{"rendered":"<p>Para su retorno al g\u00e9nero b\u00e9lico tras <em>Jarhead<\/em> (2005), Sam Mendes decidi\u00f3 priorizar el virtuosismo t\u00e9cnico, simulando un falso plano secuencia de 119 minutos de duraci\u00f3n (alarde de filmaci\u00f3n pocas veces visto con anterioridad a este nivel) a costa de un gui\u00f3n postrado ante las concesiones que demandaba la planificaci\u00f3n del rodaje. Inspirada en las historias que su abuelo (testigo en primera persona de la I Guerra Mundial) narraba a Mendes, la trama nos plantea una misi\u00f3n encargada a dos soldados brit\u00e1nicos en el norte de Francia, con la c\u00e1mara acompa\u00f1\u00e1ndoles de forma permanente como tercer integrante de la aventura. Pero la llamativa apuesta por ese eterno plano secuencia tiene efectos negativos sobre la carga dram\u00e1tica de la narraci\u00f3n, dejando a los personajes secundarios en meros hitos presentes en el camino (a la manera de los NPCs de un videojuego), y al bando enemigo directamente en la incomparecencia.<\/p>\n<p>Carcasas sin alma debido al nulo desarrollo.<\/p>\n<figure id=\"attachment_2447\" aria-describedby=\"caption-attachment-2447\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?ssl=1\"><img data-attachment-id=\"2447\" data-permalink=\"https:\/\/beat4people.com\/index.php\/2020\/02\/11\/gelido-virtuosismo\/1917png\/\" data-orig-file=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?fit=620%2C343&amp;ssl=1\" data-orig-size=\"620,343\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"1917png\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Todos los derechos reservados a Dreamworks.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?fit=300%2C166&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?fit=620%2C343&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-2447 size-full\" src=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?resize=620%2C343&#038;ssl=1\" alt=\"\" width=\"620\" height=\"343\" srcset=\"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917png.png?resize=300%2C166&amp;ssl=1 300w\" sizes=\"(max-width: 620px) 100vw, 620px\" data-recalc-dims=\"1\" \/><\/a><figcaption id=\"caption-attachment-2447\" class=\"wp-caption-text\">Todos los derechos reservados a Dreamworks.<\/figcaption><\/figure>\n<p>Toda la maestr\u00eda a nivel de direcci\u00f3n, sumada a la colosal fotograf\u00eda de Roger Deakins y a la banda sonora de Thomas Newman, dibujan un sobresaliente a nivel t\u00e9cnico para un espect\u00e1culo fr\u00edo, desangelado en lo narrativo y que nunca llega a lograr que el espectador empatice con sus personajes (ni siquiera con su protagonista, solventemente interpretado por George MacKay). Y por ah\u00ed parece algo discutible la concesi\u00f3n de ese Globo de Oro a Mejor Pel\u00edcula Dram\u00e1tica.<\/p>\n<p>Un prodigioso armaz\u00f3n que pasar\u00e1 a la historia por su vaina, pero que no logra camuflar su oquedad interna.<\/p>\n<p>@Juanlu_num7<\/p>\n<p>&nbsp;<\/p>\n\n\n<div class=\"kk-star-ratings kksr-auto kksr-align-left kksr-valign-bottom\"\n    data-payload='{&quot;align&quot;:&quot;left&quot;,&quot;id&quot;:&quot;2446&quot;,&quot;slug&quot;:&quot;default&quot;,&quot;valign&quot;:&quot;bottom&quot;,&quot;ignore&quot;:&quot;&quot;,&quot;reference&quot;:&quot;auto&quot;,&quot;class&quot;:&quot;&quot;,&quot;count&quot;:&quot;0&quot;,&quot;legendonly&quot;:&quot;&quot;,&quot;readonly&quot;:&quot;&quot;,&quot;score&quot;:&quot;0&quot;,&quot;starsonly&quot;:&quot;&quot;,&quot;best&quot;:&quot;5&quot;,&quot;gap&quot;:&quot;5&quot;,&quot;greet&quot;:&quot;Rate this post&quot;,&quot;legend&quot;:&quot;0\\\/5 - (0 votos)&quot;,&quot;size&quot;:&quot;24&quot;,&quot;title&quot;:&quot;G\\u00e9lido virtuosismo&quot;,&quot;width&quot;:&quot;0&quot;,&quot;_legend&quot;:&quot;{score}\\\/{best} - ({count} {votes})&quot;,&quot;font_factor&quot;:&quot;1.25&quot;}'>\n            \n<div class=\"kksr-stars\">\n    \n<div class=\"kksr-stars-inactive\">\n            <div class=\"kksr-star\" data-star=\"1\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"2\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"3\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"4\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"5\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n    <\/div>\n    \n<div class=\"kksr-stars-active\" style=\"width: 0px;\">\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n    <\/div>\n<\/div>\n                \n\n<div class=\"kksr-legend\" style=\"font-size: 19.2px;\">\n            <span class=\"kksr-muted\">Rate this post<\/span>\n    <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Para su retorno al g\u00e9nero b\u00e9lico tras Jarhead (2005), Sam Mendes decidi\u00f3 priorizar el virtuosismo t\u00e9cnico, simulando un falso plano secuencia de 119 minutos de duraci\u00f3n (alarde de filmaci\u00f3n pocas veces visto con anterioridad a este nivel) a costa de un gui\u00f3n postrado ante las concesiones que demandaba la planificaci\u00f3n del rodaje. Inspirada en las <\/p>\n","protected":false},"author":3,"featured_media":2448,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2],"tags":[81],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/beat4people.com\/wp-content\/uploads\/2020\/02\/1917.jpg?fit=750%2C375&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts\/2446"}],"collection":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/comments?post=2446"}],"version-history":[{"count":2,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts\/2446\/revisions"}],"predecessor-version":[{"id":2450,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/posts\/2446\/revisions\/2450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/media\/2448"}],"wp:attachment":[{"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/media?parent=2446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/categories?post=2446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/beat4people.com\/index.php\/wp-json\/wp\/v2\/tags?post=2446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}